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Chasing Big-Screen Dreams
By Alexandyr Kent
Special to The Times

"Maybe this is not the age of speech contests," says Michelle Glaros, an assistant professor of communications at Centenary College. "Maybe this is the age of film festivals."

Glaros offered up this notion at a department meeting last fall when she and her colleagues were brainstorming about an event that could highlight young voices (K-12) from around the region.

When Jefferson Hendricks, a Centenary English professor and board member of the Louisiana Film Center, heard this, he began to work with Glaros to organize the Student Division program of the Louisiana Film Festival.

This two-day student event, to be held this weekend, represents a step toward the full-fledged Louisiana Film Festival for professional filmmakers that is planned for the near future, hopefully next year.
 


From left, Danny Lachman, Chris Lyon, Luke Lee,
Hunter Carter, and Evan Falbaum.
 

The festival also represents one of the many program initiatives of the Louisiana Film Center, which plans to officially open its building at 617 Texas St. in downtown by 2006. In addition to film festivals, the Louisiana Film Center will show independent films in its theaters, provide educational programs and promote regional filmmaking.

This festival is anchored by a screening of Alice Elliott's The Collector of Bedford Street at 7:30 p.m. Friday in Centenary's Carlisle Hall. Elliott will introduce her Academy Award-nominated documentary short (34 minutes) and answer questions afterwards.

"This is a good way to get the festival started. The Louisiana Film Center was thinking of doing something similar at the same time, so it was best for Centenary and the Center to work together and create one program," Hendricks says. Louisiana Public Broadcasting is providing sponsorship support.

Hendricks and Glaros laid the groundwork last fall, and then sent out a call for entries in spring 2004 and again in early fall. They received 12 short films from middle-school and high-school students from northwest Louisiana, and one from south Arkansas. The works range from raw to polished, mock infomercial to drama, and personal narrative to political manifesto.

Many of them will be screened during two sessions of the two-day festival: the first at 6:15 p.m. Friday, and the second at 10:30 a.m. Saturday.

Three of the young filmmakers who submitted work -- Danny Lachman, Evan Falbaum, and Hunter Carter -- are involved in Caddo Magnet High School's Picasso Digital Arts Club, which was started by teacher Robert Trudeau in 2001. While they often make programs for their school's closed-circuit television station, Caddo Magnet Television (CMTV), they spend time outside of school collaborating on personal film projects.

All have digital video cameras, all edit their work on home computers, and all are passionate about making films that inspire them to look at life in deeply personal, and often quirky, ways.

They collaborated on Hey, God, a film in which a guy contemplates the greater significance of a recent spate of bad luck.

Says Falbaum, "We wanted to make a film where there's a guy sitting in a coffee shop. All of the sudden, God sits at his table. This guy tries to figure out if God showing up is a good thing or not."

Lachman points out that even though the guy was recently mugged and hit by a car, he is still living and has little reason to complain. "What would life be like if we didn't have down-points?'" asks Lachman philosophically. "We wouldn't know what was good if we never had bad times. I think Hey, God tells us to be optimistic about the future."

"The whole point of having God there is to pull the viewer back into a cosmic view of the world," interjects Carter. "From God's point of view, the guy's troubles are not that big of a deal."

All three are looking forward to the two-day festival, where they can reach a new audience, network with peers, and attend a workshop led by documentary filmmaker Alice Elliott. Says Lachman, "I want to watch all the other films and learn from the whole experience."

Two other young filmmakers -- Chris Lyon (senior) of Captain Shreve and Luke Lee (senior) of Caddo Magnet -- collaborated on Et Tu, an ambitious 15-minute adaptation of Shakespeare's Julius Caesar.

In setting their film in present-day Shreveport, Lyon and Lee took inspiration from the 1996 adaptation, Romeo + Juliet, which was set in the modern suburb of Verona, Calif., and updated swordplay with gunplay.

Lyon and Lee are deeply inspired by blockbuster filmmakers like Stephen Spielberg. They work with computer-editing programs like Adobe Premiere to see if they can replicate blockbuster-like digital effects in their own work.

Hendricks hopes that these young filmmakers, and others who will see their work during the festival, will gain from the experience. Hendricks says, "Just in the act of submitting their films they will go beyond the communities of their friends and classrooms. I hope that they get a better sense of what they have to do to get their work out in the world."

"Hopefully, the student division will grow as the word gets out," says Glaros. "Perhaps some people who come to the festival this year will think about submitting something next year. It should foster growth and creative exploration in the community."
 

 
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